More like he hates my guts after lugging this 850 page behemoth up to my door. I’ve got the two Silver Age Omnibuses for the Legion of Super-Heroes, and now today, I have the omnibus for DC’s John Carter rip-off character, Adam Strange. Don’t get me wrong, I love the character. I probably even prefer him. DC Comics really used the better idea by having Adam be an archeologist and an adventurer who needs to travel the Earth constantly looking for another Zeta beam to take him home to his beloved.
This massive slab of book is beautifully recolored and reprints all of Adam Strange’s appearances in SHOWCASE #17-19, MYSTERY IN SPACE #53-100 and 102, and STRANGE ADVENTURES #157, 217, 218, 220, 221, 222, 224, 226, 235 and 241-243. Takes you from 1958 all the way to the 1970s. Great stories from Gardner Fox, Dave Wood, Jerry Siegel, and Denny O’Neil and amazing art from Carmine Infantino, Mike Sekowsky, Murphy Anderson, and more. A perfect slice of The Silver Age of American Comic Books.
Not sure when the hell I’ll ever get to read this, but it’s looking like I can start at Christmas.
Just delivered. I’m catching up on The Black Archives, the excellent series of critical monographs from Obverse Books on individual Doctor Who stories. I have yet to review this series, but I’ll get to it at some point.
Pictured here, are volumes 29, 30, 33, and 34. The Impossible Astronaut/Day of the Moon, The Dalek Invasion of Earth, Horror of Fang Rock, and Battlefield. While I haven’t read the other three authors, range editor Philip Purser-Hallard’s work on the series (4: Dark Water/Death in Heaven and 13: Human Nature/The Family of Blood, the latter co-authored with Naomi Jacobs) has been quite good. If you’re in the UK, you can grab these straight from the publisher’s website (or from Amazon.co.uk), but if you’re in the US or elsewhere, head to Lulu. Very affordable, and concise examinations of your favorite DW stories.
And the mail just keeps coming. I’m not complaining, mind you. I ordered this one back in July, and finally, it arrived. I have three things to say about this magazine so far.
1: It looks fabulous. Nicely laid out, good graphics, good chunk of reading at 80 pages, and even the ads are cool looking. I’ve started the Victor LaValle story in it, and I’m enjoying that, and all five of the poems throughout by Stephanie M. Wytovich are cool and creepy. I expect the rest of the stories will be great.
2: The magazine that never dies is now edited by Jonathan Maberry (and this issue includes a story from him as well), so you know the content will be really good. This issue’s content was all curated, but at some point in the future, they will be accepting subs.
3: Their customer service is straight up lousy. That’s not to be a poor reflection on Jon, either. He’s in charge of content only. But literally everyone else involved with the magazine, from the publisher to the copy editors, to the webmaster, needs the sack. When I ordered a copy of this magazine in July, I received an automated email thanking me for my order. I also got one of those “You need to verify your account” things from a guy named Troy. The link Troy sent? Did not work. When I replied to Troy? No response. When I replied to Troy a few weeks later again? Nothing. When I checked the webpage for where I would enter my login details–if I could even get my account verified? No place to log in at all.
Speaking of that website, it has a cool motion graphic of a creature crawling on the ceiling, but it was missing crucial information like, oh, I don’t know–how to contact them! Or the table of contents for the sole issue of the magazine they have for sale so far. Or the dimensions of the magazine (it’s standard magazine size at 8×10.5, you’re welcome). Or how long shipping would take. There was no further communication. No “You issue has shipped” automated e-mail. Just stony silence.
Digging a little deeper, I did find not one, but two contact e-mail addresses, where I attempted to contact them and inquire about the magazine I ordered, which had not shipped. No reply. They have a phone number, too, if you’re very determined and you dig really deep. I’m sure you can see where this is going. No one answers it. And yes, once I received the issue, I found multiple typos in just the first few pages alone. So everyone, Publisher down through editors and web monkey? They all suck. Their designer deserves some top-notch credit, and so does Jon for curating what looks to be an outstanding selection of material. But the rest of the company needs to learn quite a bit about dealing with their customers.
13 bucks plus 5 for shipping gets you a copy of the magazine that never dies, but if you click here, you can count on the fact that the customer service is already dead.
I’ve got mail again. This time from my good friend and soon-to-be audio narrator for some of my books, Dan Delgado. Dan was kind enough to send me, unrequested and as a surprise, the following T-shirt, which I’ll wear the hell out of, and the very cool iron-on/sew-on embroidered “Baba Yaga” patch in the corner of the logo. Thank you, Dan! While I don’t really have anything I can put that patch on, it’ll live nicely next to some of my other souvenirs from having attended the John Wick 3 premiere in New York, this past May (seen below). Yes, that coin is real.
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About Kane
Kane Gilmour is the international bestselling author of The Crypt of Dracula. He has also worked with Jeremy Robinson on several books in his Jack Sigler thriller series, and with Scott P. Vaughn on his Warbirds of Mars series. Kane also writes his own thrillers.
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