Kane Gilmour

International Bestselling Author of The Crypt of Dracula

Author: Kane (Page 8 of 16)

Ass in the Chair: How to Build Your E-book Empire (and Not Suck) 1

Post 1: Where to Begin

I was going to start the series talking about inspiration versus distraction. Procrastination and how to avoid it. That sort of thing. Instead, I thought I should focus on how to begin. I get a lot of questions from people telling me they’ve started writing a book (fantastic! First hurdle accomplished—you started!), but they really don’t feel like they know what they are doing and they don’t even know what kind of font to use of how to format the manuscript. It’s this last bit that I’ve noticed creeping in again and again.

We get hung up on the details. “I can’t write book! I don’t even know what font to use.”  Never mind that it’s your subconscious telling you “Damn, this book-writing thing is going to take a looooooooong time. Maybe I should find some reason not to do it.” Getting hung up on the details is easy to do.

Writing a novel takes time. And it’s not easy. If it was, then all the thousands (or maybe millions) of people who always say “Oh, I’ve got a terrific idea for a book,” would actually write it. But they don’t. Having an idea is pretty easy for some people. Typing for several hours a day for weeks and weeks? Not so easy. Even typing for a half hour a day every day in a year isn’t easy. You can type a book either way, but few people will ever do it.

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Ass in the Chair: How to Build Your E-Book Empire (and Not Suck)

Post 0: Prologue

This is going to be a series of posts. I see a lot of fellow new authors struggling with certain things, and I see myself struggle with them as well. I hear from unpublished authors frequently, asking questions about one thing or the other. There used to be books you could point an up-and-coming author to, and then there were blogs that were vital. Even taken holistically as a historical exercise, much of that information wasn’t filled with the specific: “Here’s how to do X” kind of information writers always want.

I know it used to irk the hell out of me when I would read about some author’s reply to simple “well, how do you do it” sort of questions, and their answers would always be along the lines of “It’s takes a lot of luck”, and “my path was unique to me”, and blah blah blah, but they never answered the question.

In this series of posts, I hope to answer some questions. As a whole, it’ll be a living and changing document, because by the time I post some of these ideas, I might have better ones, or the industry might change again. But still, my mission here is clear: to set out specific tasks that you can do, and show you how to do them. These things will make you a better author, make you a better marketer, and show you a step by step process for how you write your books, and independently publish (read: self-publish) them, while not sucking. Hopefully along the way, you’ll make some money doing it too.

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The Next Big Thing Interview

THE NEXT BIG THING is a chain of book and author recommendations. One author tags a few others, who then each tag others. The idea is that we all help people out there learn about all the good stuff that’s just out or coming soon. David Wood tagged me on his blog and now it’s my turn.

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No Spoilers—What Is the Best Bond Ever?

As the title of this review implies, there are zero spoilers lurking in this review. And when I say ‘zero spoilers’, man, do I mean it. I take my James Bond seriously, so much so, that when I went up to Essex Junction last night (a 40 minute drive) to catch the 0:07 hrs showing of Skyfall, as I stood in the lobby of the cinema and they were showing previews on a huge flat screen TV over the concession stand, when they played one for Skyfall, I refused to let my eyes even glance at the screen.

Before going to see the film, I had seen only the first international trailer. I had seen none of the TV spots and none of the additional trailers. That was by design. I wanted no spoilers. I take them more seriously with Bond than with anything else.

Before I get to talking about the film, without actually talking about it, I want to mention the cinema. I went to a midnight showing, yes. But I might not have done so if it wasn’t for this particular cinema. Essex Cinemas has what they are calling a T-REX cinema. 400 seats of extra-wide, leather-clad, memory-foam, rocking goodness with the required drink holder built into the arms. A 60-foot curved screen with digital projection. 18 amplifiers and 124 speakers (typical cinema has around 1/3rd of those). This place was serious about their movies. As a special midnight showing, the auditorium was thankfully not packed. But then again, this is Vermont, where sidewalks roll up promptly at 6pm. I was able to grab a seat just about in the center of the terraced auditorium. Perfect. If that all doesn’t sound amazing, just remember the running time of the film is 2 hours 40 minutes. Then I had the 40-minute drive home to look forward to. That’s right. No sleep til 4am. So those features were worth the loss of sleep for me.

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